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Layer Cake (2004)


Matthew Vaughn, producer behind the entire Guy Ritchie oeuvre (Lock, Stock, & Two Smoking Barrels, Snatch, and… er… Swept Away), makes his directorial debut with Layer Cake, another tale from the British criminal underworld that thankfully avoids any association with aging pop icons. Instead, Vaughn opts to take some of the elements of Ritchie’s earlier work – colorful deviants, dark humor, Seinfeld-esque coincidence – and give them his own, slightly more somber spin. The result is an engaging 104 minutes that stakes its own claim on the genre.

Daniel Craig is credited as ‘XXXX’ (oh, if only he were the new ‘XXX’), a ‘businessman,’ as he puts it, whose name we never learn. His business just happens to be cocaine. He plays by a strict set of rules – pay connections on time; keep a low profile, etc. And, like every other lowlife with whom we’re supposed to sympathize in a gangster film, he’s just about to retire. Until his boss, Jimmy Price (Kenneth Cranham) throws him two curveballs that shoot his plans all to hell.

Jimmy wants XXXX to find the missing daughter of one of Jimmy’s old friends, wealthy tycoon Eddie Temple (Michael Gambon). At the same time, Jimmy has also set up a deal where XXXX is to buy a million pills of ecstasy from The Duke (Jaime Forman), an unsavory and decidedly flashy dealer (two qualities XXXX abhors). Neither of these missions is what it seems, and soon XXXX is lost in a world of double-crossing crime lords, Serbian vendettas, and blonde vixens (well, one to be exact, but in a film with only three female roles, that will have to do).

In a Guy Ritchie movie, the mishaps and betrayals XXXX encounters would be approached with a sort of murderous glee. Here, the tone is a little more serious, though Vaughn makes room for the occasional morbid jest. Colm Meaney, as Jimmy’s devoted lieutenant Gene, delivers plenty of laughs, sometimes with nothing more than a sideways glance during a murder. But the overall mood suggests a traditional noir, with plenty at stake for the protagonist, and plenty of menace coming from his adversaries.

This shift in tone extends to another trick Vaughn lifts from Ritchie – ironic use of pop music. In Snatch, Mrs. Ritchie’s ‘Lucky Star’ scores the car-dragging of a criminal, and, in essence, makes the scene pretty damn funny. Here, a brutal beating (intercut with the gunning down of key characters) unfolds to the strains of Duran Duran’s ‘Ordinary World.’ The effect, though, is more jarring, as the soundtrack itself skips with every other blow that lands.

The casting is near perfect. Gambon effuses the right balance of class and sleaze as double-dealing entrepreneur Temple. George Harris nicely underplays his role as XXXX’s right-hand-man-with-a-past Morty. And as XXXX, Craig carries the film ably, vividly conveying the anguish of a man who, for the first time, has to deal with the messy side of his chosen profession. It doesn’t hurt that Ritchie alums Jason Flemyng (whose single line in the film is one of the best) and Dexter Fletcher make appearances as well.

Screenwriter J.J. Connolly smoothly adapts his own novel, interweaving multiple plotlines while making room for voluminous exposition. There’s a lot of backstory here, but Vaughn’s flourishes and the actors’ sharp delivery makes that aspect just as entertaining.

In the end, the somewhat more mature mood of Layer Cake suggests that perhaps Vaughn is going for something a little more than just having fun with expletives and bullets. Buried somewhere in there (and explained maybe a little too clearly near the end) is a commentary on corporate culture (the ‘layer cake’ in question). The confection that results is a must for those who like their tough talk delivered with an English accent.

The DVD includes deleted scenes, two alternate endings, a commentary track, Q&A with Craig, and a behind-the-scenes featurette.

Aka L4yer Cake. Reviewed at the 2005 Philadelphia Film Festival.

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